The finest pedal made !! Rack gear in a pedal basically!! Murf Low Pass Filter Ring Modulator Phaser CP-251 Expresion Pedal

Get excited about stompboxes again! Modular synth versatility + stompbox convenience Compatible with any instrument-level or line-level signal Total voltage-control for Totally New Sounds Use on table top or floor Control with knobs &/or up to four expression pedals Vintage synth look -- hardwood frame, classic knobs & switches Authentic analog sound, designed by Bob Moog Professional quality -- road-worthy and studio-ready

Cluster Flux

Don’t be fooled by the Chorus/Flange switch. While the Cluster Flux can conjure up a monstrous Jet Flange and sparkling Chorus sound, it also can transport you straight into another dimension.

Create an array of unique sounds with 6 wave shapes (Sine, Triangle, Square, Ramp, Reverse Ramp and Sample and Hold).  Each shape is the foundation for a completely different musical inspiration.  Tap in the tempo of your LFO via the TAP TEMPO button, or sync the Cluster Flux to a MIDI clock.

Positive and Negative Feedback allow you a wider range of tones and voicing than you would find in a normal stomp box.  These can even be used to drive the Cluster Flux into tuned self-oscillation.

Use the Amount and Rate controls for expression and modulation of the delay line.  Anything from vibrato to a jackhammer, these controls can make it happen.

Just want a little bit of an effect?  Use mix control to dial in the the perfect blend of original and effected signal.

Want more control?  CV jacks on the back allow for control of Time, Rate, Mix, Feedback and Amount via the Moog EP-2 Expression Pedal, CV or other Moogerfoogers.

Like all Moogerfoogers, the Cluster Flux is made to work with all sound sources: Guitars, Drum Machines, Keyboards... you name it.  The Cluster Flux is of course built in the classic Moog fashion and is guranteed to give you a lifetime of musical joy!

Front Panel
•             TIME: Adjust delay time 0.6mS to 10mS in Flange mode and 5mS to 50mS in Chorus mode.
•             RANGE: Select between Flanger and Chorus mode
•             FEEDBACK: Continuous control from no feedback to infinite feedback. Bi-Polar control allows the feedback to highlight even or odd harmonics.
•             DRIVE: Allows between -7dB and +28dB of gain or attenuation of the input signal for optimum signal path, level matching and distortion sounds.
•             OUTPUT: Allows gain and attenuation of output signal for compatibility with a widerange of input devices.
•             MIX: Cross fader control to vary the amount of wet or dry signal heard on output.
•            LFO: Six position rotary switch to select the LFO wave shape for delay time modulation. Select between Sine, Triangle, Square, Ramp, Saw and Random stepped modulation.
•             LFO RATE: Adjust the LFO rate from the sub audio to audio rates. Control from 0.05 Hz to 50 Hz from the front panel (more from the CV).
•            LFO AMOUNT: Controls the amount of LFO modulation of the delay time.

LEDs and switches
•             RATE: A Bi-Color LED to display the rate and shape of the LFO wave as well as the source of control.
•             MIDI: A Bi-Color LED to display the presence of MIDI control.
•             LEVEL: A Bi-Color LED to display the level of the input signal post drive control for optimum processing level.
•             BYPASS: A Bi-Color LED to indicate if the effect is engaged or not.
•             TAP TEMPO: A rugged smooth-acting stomp switch for setting LFO rate.
•            BYPASS SWITCH: A rugged smooth-acting stomp switch bypassing the unit with a buffered input.

Back Panel Features
•             AUDIO IN: 1/4” phone jack - accepts any instrument-level to line-level audio signals.
•             LEFT / MONO AUDIO OUT: 1/4” phone jack 1/4” phone jack with adjustable output level for instrument or line level output.
•             RIGHT / Stereo OUT: A Second output dip switch configurable for either Stereo out (two types), Delay only out, or dual mono out.
•             FEEDBACK, TIME, LFO RATE, MIX, LFO AMOUNT: all of which are stereo 1/4” jacks that accept Moogerfooger EP-2 (or equivalent) expression pedals, or 0-5V control voltages from either two-circuit or three-circuit 1/4” jacks.
•             FEEDBACK INSERT: A 1/4” TRS Insert jack for inserting effects in the feedback loop of the delay chain. Line level output.
•             MIDI IN: A 5 Pin DIN input for controlling the MF-108 via MIDI Control.
•             +9V POWER INPUT JACK - accepts standard 9 volt center positive barrel power adaptor (power adaptor included). 300mA minimum required.

General Specifications
•             CASE: Rugged steel case with black powder coat panel, white silk screen and hardwood sides for a classic analog appearance.
•             DIMENSIONS: 9” x 6” x 2-1/2”
•             NET WEIGHT: 4 lbs.
•             SHIPPING WEIGHT: 6 lbs, including power adaptor and instruction manual.
•             POWER REQUIREMENTS: 105-125 volt, 3W. 220 volt power adaptor available on special order.

Music Toyz Price $599.95

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Multi-Pedal MP-201

The MP-201 Multi-Pedal is the perfect Control Hub for live performers, studios, DJ's and more. It's built like a tank and with CV, MIDI and USB connectivity, it can control anything from a laptop running the latest software to a monster analog modular synth.

Sync analog LFOs (on Moogerfoogers, Little Phatty, Voyager etc.) to sequencer rhythm tracks or live performances

Add preset-like control to Moogerfoogers

Tame an unruly effects pedalboard

Stay in control while your hands are busy playing, spinning or mixing!

The possibilities are endless...

The Moog MP-201 Multi-Pedal is a programmable four channel CV/MIDI foot pedal controller featuring:

-4 Analog Control Voltage Outputs; each with an Independent LFO
-Standard MIDI In & Out and MIDI over USB
-MIDI Clock Sync & Tap Tempo
-User Editable Presets
-Programmable Heel & Toe Voltages
-Optical Pedal Mechanism

Music Toyz Price $449.95

FreqBox MF-107

The MF-107 FreqBox (tm) is different from other effects – the effected sound is not a processed version of your input signal, but the sound of the input signal modulating an internal oscillator. It contains a VCO with continuously variable waveshape, and the capacity to modulate that Oscillator in the following ways:

- the VCO can be hard synced by the input signal
- The VCO can be frequency modulated (FM) by the input signal
- The VCO frequency can be modulated by an envelope follower which tracks the dynamics of the input signal
- The Amplitude of the VCO also tracks the dynamics of the input signal

Hard sync is a classic analog synthesis technique where the start of an oscillator's cycle can be reset by another. The oscillator being synced takes on the frequency characteristics of the other oscillator, and when its frequency is swept, it reinforces the harmonics of the fundamental frequency. In the case of the FreqBox , the input signal is used to reset the FreqBox 's VCO.

FM is a technique used to get really rich sounds from simple waveforms. The type of FM used in the FreqBox is linear FM. Sounds range from gong or bell-like tones to sizzly sweeps.

The FreqBox , like all moogerfoogers, works with any instrument to line-level input. In addition to the panel controls there are control inputs for use with expression pedals or control voltages and control outputs for interconnecting moogerfoogers like you would a modular synth.

Music Toyz Price $339.95

moogerfooger MF-105 MuRF

How many times have you wondered, "Why aren't there any NEW effects?" Whether you play guitar, bass, keyboard, make beats, or work in the studio - most effects boxes are based on the same old classics. The Moogerfooger MF-105 MuRF is the antidote to generic, boring effects.

MuRF stands for "Multiple Resonance Filter Array". What this means is the MuRF has 8 filters - their levels are controlled by 8 sliders. It looks like a graphic eq, but the sound of the filters are very different: warm and resonant.

What is really unique is the ability to animate the levels of the 8 filters in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or plug a footswitch into the tap tempo input to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythmic modulation or shimmering timbral morphing. Other controls include Input Drive, Output Level and Wet/Dry Mix.

MuRF shares the musician-oriented features that are common to all Moogerfoogers. All the audio processing is 100% genuine analog, for warm, fat sound quality. Any line level or instrument level audio signal may be processed. Wide-ranging player parameters may be controlled from the panel knobs as well as from expression pedals or CV-compatible analog synthesis instruments. Components are rugged and long lasting, to withstand the rigors of stage and studio. The MuRF is housed in the classic Moogerfooger "double-wedge" enclosure that may be used on a table or on the floor.

The MuRF is now shipping!!! For all players, the MuRF will open up new sonic worlds for you!

Music Toyz Price $399.95

moogerfooger Lowpass Filter
The award-winning MF-101 Lowpass Filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument level to line level signal.

The moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the Lowpass Filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1/4" jacks are provided for audio input and output, pedal/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.

A lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the Cutoff, the more muted the tone sounds. Imagine a window shade. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 Lowpass Filter does the same sort of thing to the sound spectrum with it's Cutoff Control.
As you turn up the Resonance control, the overtones near the cutoff frequency are boosted. Resonance gives the moogerfooger filter the same classic Moog filter sound as the Minimoog; and Moog modular synthesizers.

The envelope follower tracks the loudness contour (envelope) of a sound, and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the CUTOFF knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.

Real Audio

Sound Sample #1

Sound Sample #2

Music Toyz Price $264.95

moogerfooger Ring Modulator
The moogerfooger Ring Modulator multiplies an audio input and a carrier oscillator to produce sum and difference frequencies. The unit has a wide-range carrier oscillator (2 Hz to 4 kHz in two ranges) and a dual-waveform LFO (0.1 Hz to 25 Hz, sine and square waveforms). The control parameters are signal mix, carrier frequency, LFO rate, and LFO amount, all of which may be voltage-controlled as well as panel-knob-controlled. Panel switches select carrier oscillator range and LFO waveform. 1/4" TRS jacks are provided for pedal/control inputs, auxiliary audio input, and LFO and carrier oscillator outputs.

Real Audio

• Sound Sample #1
• Sound Sample #2

Music Toyz Price $264.95

moogerfooger 12 Stage Phaser

The MF-103 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal. It contains two compete modular functions: a 6 or 12-stage phaser with resonance control, and wide range LFO with amount control.

The 12-Stage Phaser's control parameters are Sweep frequency, Resonance, LFO Rate and LFO Amount. All of these parameters can be controlled by the great feeling knobs that beg to be tweaked as well as expression pedals or external control voltages. Panel switches select ranrge of LFO Rate and 6 or 12 stage phasing. 1/4" jacks are provided for audio input and outputs, pedal/control inputs, LFO out and auxiliary sweep input for bi-phase effects. The heavy-duty yet smooth-acting bypass switch allows tabletop or floor use.

A phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser "whooshing" sound.
Phasing is one of the best ways to impart motion to a track and to make sounds come alive. With the MF-103 Phaser you can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; even create brand new sonic textures.

The MF-103 produces two comb-filter responses. They are called 6-Stage and 12-Stage, because of the number of phase-shifting circuits that are used internally. The 6-Stage mode has three dips in its frequency response, while the 12-Stage mode has six dips. These two modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance, or depth of the phaser sound.

Real Audio

• Sound Sample #1
• Sound Sample #2

Music Toyz Price $299.95

Moogerfooger CP-251 Control Processor

Control signals are signals within a modular analog system that vary the operation of the modules to produce dynamic effects. The moogerfooger CP-251 Control Processor is a collection of classic basic circuits for generating, modifying, combining, and distributing control signals. Used in connection with one or more moogerfooger analog effects modules or other voltage-controlled gear, the CP-251 forms a modular analog synthesizer system, with the same kind of power and versatility of the classic MOOGä modular synthesizers. Dimensions: 9.3" x 5.3" x 2.5"

The CP-251 has these modular synthesizer functions:

• Four Input Mixer combines up to four control voltages, up to two of which may be from expression pedals. Both inverting and non-inverting outputs are present. Controls include two input attenuators, master gain, and offset level. For making complex control signals.
• Lag Processor limits the rate of change of a control signal. Any control signal may be applied to the input. The RISE control limits the maximum upward rate of change at the output, from as fast as one volt per millisecond to as slow as one volt per second. The FALL control does the same for the maximum downward rate of change. For shaping waveforms such a square waves.
• Voltage-Controlled Low Frequency Oscillator produces triangular and square waves over the frequency range 0.2 Hz - 50 Hz. The frequency is determined by the setting of the RATE control and by the control voltage applied to the pedal input jack. For adding modulation to voltage-controlled gear.
• Two Attenuators enable two control voltages to be reduced according to the settings of the controls.
• Four-Way Multiple enables one control signal to be sent to as many as three destinations.

Noise Source provides white noise for use as an audio or control signal. Sample and Hold produces stepwise control waveforms by sampling the signal at the IN jack at the rate of the signal at the TRIG jack. If these jacks are not used, bridging connections feed the Noise source to the IN jack and the LFO waveform to the TRIG jack, so that the OUT 1 signal is a random stepwise control waveform in which the steps go at the LFO rate. The OUT 2 is a smoothed version of the OUT 1, which is useful for generating slow, continuously-varying random control signals.

Retail $349
Music Toyz Price $309.95

EP-1 Expression Pedal
Even when your hands aren't free, you can still unleash your moogerfoogers! Essential control pedal for foot control of any moogerfooger knob-controllable performance parameter.

Music Toyz Price $39.95

Moogerfooger® Power Supply - 220V

Power supply for all moogerfooger analog effects. 220VAC to 9 VDC; center positive


Music Toyz Price $19.95

®Moog FS-1 Footswitch

The FS-1 Footswitch is a heavy duty footswitch in a steel enclosure that is reliable and built like a tank. It is a momentary switch, normally closed (press to break connection) which is compatible with our Moogerfoger MF-105 MuRF 's Tap Tempo input, and our Minimoog Voyager's footswitch inputs (Envelope Gate, LFO Sync, and Release). It has a 6' cable with a 1/4" mono phone plug attached.

Music Toyz Price $29.95